Aug 11, 2011

BUSAN OPERA HOUSE


The proposal consists of an organic building-scape which allows for a variety of recreational and educational activities while creating a cultural icon for Busan. The building is organized around three principal wavelengths generated parametrically based on the pre-existing local tensions: a stunning ocean view to the west, a bustling city to the east, and a thriving cultural district to the south. From this parametric interaction the building emerges as the non-linear product of three analogical volumes. Each component can function independently yet is part of the same overall structure, inter-connected through the control point-responsive use of smooth spatial transitions.
These three volumes comprise: an opera house with a capacity of 2000 people, a multi-purpose theater with a capacity of 1500, and an art exposition room for exhibits and rehearsals. The central plaza functions as an articulatory component serving as a meeting point and public space for social activities and includes a multi-use amphitheater. The use of roof gardens allows for the important application of green energy technology, effectively integrating the lush regional environment with the city Opera.

Project Design: Arch. Diana Q. de Saul + Arch. Alejandro Munevar

May 20, 2011

PUSHINSKY CINEMA COMPETITION


This project deals with, on the one hand, preservation of the ¨snow clad¨ character of the “White City”, and on the other, the complex dynamics that the new material gives expression to.
In bringing back the Pushkinsky cinema to the city, this proposal establishes a continuation of the “White City”; analogically, of the material and its curvature in the new cinema, emulating the elegance of what the "palace" of the Moscow International Film Festival represented fifty years ago. One of the most remarkable characteristics of the structure is its ability to continually change in appearance; the building envelope´s lighting system allows for shifts in intensity and frequency, and energy flow emanating from the activities inside of the building as well as without is optimized, ultimately leading to the site´s attraction as an icon of the city.
One of the façade materials used is DuPont Corian external Cladding which allows for carved effects on roof and wall surfaces to achieve different ” levels of light transition”.


Feb 2, 2011





Experimental surfaces
The surfaces above were generated using parametric curves as profiles in Grasshoper and then edited in GC through the application of external forces.

Aug 23, 2010




This is the group work that we developed at the Material intelligence workshop. The goal of the project was to explore different parametric features in a system made of differentiated components, as well as including the potential material for design innovation. Through iterative work flows with an emphasis placed on material prototyping, an installation was designed integrating digital parametric design and fabrication. The equipment used included an industrial CNC 3-axis Mill and CNC High-Force Cutter, The primary CAD platform used was Grasshopper for Rhino3D, supported by a suite of associated programs including Rhino Cam, RhinoNest, and Brazil Render.

Apr 9, 2010

SMART GEOMETRY CONFERENCE 2010
EXPLICIT BRICKS



The goal of the workshop was to design a constructive system composed out of uniquely formed building blocks. The architectural potential of the developed system was tested through applying it on the design and fabrication of a prototypical building structure. The blocks were fabricated out of Styrofoam using a robot in combination with a hot wire cutting machine and dry joined. Stability of the building element was achieved through friction and the interlocking of the individual blocks.







Cluster leaders: Tobias Bonwetsch, Ralph Bärtschi, Andrea Kondziela (Gramatio&Kohler DFABARCH) – ETH Zurich | Cluster team: Ionut Anton, Paolo Cascone, Kristoffer Josefsson, Martin Kaftan, Eleni Kolovou, Peter Liebsch, Alessandro Loffredo, Sven Pfeiffer, Diana Quintero, Stefane Tabsoba, Giancarlo Torpiano, Ebru Ulu.

Jan 13, 2010

This residential building was generated from the system designed in Smart Geometry in SF last year. It consists of the integration of a growth algorithm with different variables and the application of external forces as driving factors in the generation of the overall form. The initial geometry of this project was generated in Generative Components and then developed in Maya at Tony Owen Partners.

Aug 16, 2009

Possible Morphological outcomes

The diagram show some of the performances of the system related to the building skin and structure.

Apr 7, 2009

SYSTEM FOR A TALL BUILDING
"From the simple to the complex"

This is the system for a tall building that I designed in the Smart Geometry 2009 workshop in San Francisco. The project was selected to be presented on the conference day at the Intercontinental Hotel. Ben Doherty in his lecture entitled "Notion Parallax" exhibited the principal features of this project; the design process and its systematic approach which is based mainly on the growth algorithm. He subscribed the system as something that goes from "the simple to the complicated".
In this project two independent growth algorithm sequences and replications with angle variations were used as a strategy for control on one hand the structure and on the other the enclosure.
As well as in my previous project, three variables were applied and external forces were used as driving factors in the generation of the overall form.


Feb 28, 2009

System 02



.




This is an independent installation for EDAW in which we were applying some of the membrane system techniques that we developed with Michael Hensel and Defne Sunguroglu (Ocean North / Architectural Association.) in the master class 2007 at UTS.
In the first stage of the project different prototypes were made in order to examine the performance of the material as well as their responsiveness to solar radiation. Next a 6m x 4 m installation was placed in site at EDWA offices in Sydney

++Arch.
Ben Woollen and Diana Q. de Saul
+Sydney 2009

Jan 8, 2009

INDEPENDENT RESEARCH PROJECT INTO PARAMETRIC ORGANIZATIONS


If the relationship between architecture and the environment today could be explained as Parasitism, where the buildings are the superimposed Parasoits that consume valuable natural resources, the next relationship could be described as Mutualism where both of the entities architecture and environment would coexist as a Mutual, supportive, non competitive networking. In order to reach that point, an investigation of the fundamental processes in Living systems as Morphogenetic processes as well as the interaction of living components in architecture is relevant in helping minimizing environmental problems in addition to maximizing building performance. This research interrogates the process of hybridization of natural and artificial systems in Architecture in helping to generating responsive structures. The project is focus first of all on the process of form-generation through the articulation of living systems with the physical environment in a digital substrate (parametric studies), and secondly on fabrication; from digitally fabricated components to living ones.
Morphogenesis and Epigenesis in Bilogical Systems
“The fashionable ideology of ultra-Darwinism, which reduces organisms to little more than machines for the replication of DNA, is gradually being replaced by a more holistic trajectory in which life is considered to depend upon complex interactions that occur within cells, organisms, and with their micro- and macro-environment through time and space”.
Jenny E. Sabin, Peter Lloyd Jones (Acadia 2008)
In the Darwinist theory of natural selection, Morphogenetic changes in an organism come from the evolution of favourable phenotypes which are the ones which prevail as a result of their successful adaptation through generations. (this is a long term process where generally strength is what prevails to develop the proper skills to survive). In Epigenesis (Change in gene expression) there are two different aspects related to Morphogenetic changes; in the traditional point of view it refers to something that is considered being formed or organized from the beginning, here, Morphological changes occur according to established genetic information. More recently, it has been theorized that organization and form evolve over time through exchanges and conditionings, and although DNA itself does not change its structure, environmental factors affect the behaviour of the genes which “behave (or express themselves differently)”.



Morphogenesis and Epigegesis in computational enviroment

By focusing on the processes of interaction between cells and external factors rather that on the pure gene, a different perspective on the construction and dynamics of Morphogenetic architecture is beginning to emerge. The system that I developed in
Parametric studies for the design of a responsive surface system (figure 01, 02) integrates a growth algorithm which in this case corresponds to the Tree System (which is the parametric function where the first line is taken as input in order to create the two following lines as branches from the first end point with a specified direction) with different variables such as increment, segment length, angle, and the application of external forces which themselves are the parametric relations between component distances, control points, tree root systems and their directions. Differentiation is achieved through manipulation of control point sublocations (Figure 02), reflecting enviromental factors, as well as through change in generations (time variable).

Once the parametric settings were established, The system was placed on site. in this stage the system interacts with the environment by responsiveness to the local pedestrian tensions. in order to reach this balance, three different force fields were introduced based on the independent directions. As a result, the Control point acts in a flexible manner towards pedestrian tensions generating a particular morphology as shown in the figures 1,2 and 3. Variations in density was achieved by changes in the recursion depth variable (stage of growth) of the tree system. Next the fourth stage of growth was selected as a base structure for a pavilion.


Part of the performance of the system consists of adaptation according to the density the program requires; for instance as seen on the next figure the pavilion does not require a complex structure this is why the 7th (fig.2) and 10th (fig.3)stages of growth where discarded.
The images show some of the possibilities for the pavilion’s scaffold.
In this picture,a BSpline surface was created by Sweeping a circle along the 3d Voronoy path. Smoothness was archived by using subdivisions in Maya.






 
Offset points were exported to excel and random combination of numbers (point coordinates) were tested as possible routes for a Spline Curve which performs as the structure of the Pavilion and 2 additional control points were introduced in order to achieve control of the enclosure (which responds to environmental factors).





CONCLUSION
The application of morphogenetic processes and performance Materials in Architecture can mean complexity of the building system as a result of the multi-faceted relations between specialized building elements. These elements will perform as efficiently as possible according to their specific role, thus leading to the generation of a variety of shapes and forms. In this sense, Morphogenesis in architecture occurs when elements of the system (structures, enclosures, facades) act in a flexible manner presenting considerable changes over time according to physical inputs.
The reason why this is relevant in Architecture is due to the interaction of all components: Morphogenetic parametric systems, the application of external forces, the specialization of local elements, along with digital fabrication techniques corresponding to a high degree of complexity in architectural form generation and fabrication as well as high performance of the system as a whole.

UTS_University of technology of Sydney 2008
+Tutor: Anthony Burke
+Students: Arch. Diana Q
. de Saul